Story: The investigator Carl and Assad have successfully solved at the Copenhagen police an old cas

Facts: Desecration - The pheasant great monday slayer (Fasandræberne) Denmark, Sweden, Germany. 2014. Director: great monday Mikkel Norgaard. Book: Nikolaj Arcel, Rasmus Heisterbergallee, Jussi Adler-Olsen (template) with Nikolaj Lie Kaas, Fares Fares, Dania Curcic, Pilou Asbaek, David Dencik, great monday Beate Bille, Peter Christofferson, Johanna Louise among others Length: 120 minutes. Rated: Age from 16 years. January 15, 2015 movies.
Story: The investigator Carl and Assad have successfully solved at the Copenhagen police an old case, is already waiting on a new police great monday duo. This time it's all about a brother and sister that was killed over 20 years. Now when the alleged Vster is also murdered, Carl and Assad begin their work.
Opinion: Jussi Adler-Olsen makes the heart beat faster of Crime gems all over the world and therefore wallows also rightly international reputation. His novels, often very drastically in their portrayal of violence and the limits of conservative gesture by human abysses with start-border, great monday remain blissfully months in the bestseller lists. With such a rigorous reader rush it was obviously only a matter of time until the first Jussi Adler-Olsen-book should be projected on the big screens. With "Mercy" dawn of a five-part series, great monday which is the case then was also in 2014. By German subsidies financed to "mercy" but had a cinematic interpretation put up the allegations to be able to spray any real individuality in the bottom of contemporary crime madness: Slightly better ZDF evening entertainment provided us with director Mikkel Norgaard then on, but turned at the same time the course for this to continue the series. And why not?
No pheasant, but who cares when Jussi Adler-Olsen is present as a declaration on a project, the masses are attracted and no matter behave like the echo of the criticism failed even with "compassion" - Not a few were pleased with the grim thriller fare. Now it creates "Desecration great monday - The pheasant slayer" in German cinemas, the sequel to "pity" for many readers Eagle Olsens even the most impressive novel he has written in his career so far. As filmaffiner Spirit has been characterized in the first minutes of "desecration - The pheasant slayer" the bitter guess from: No, nothing special is unrolled. And you should learn tragically confirmation. Was "mercy" already not very inspiring in his staged with leaden heaviness Verbrecherhatz in which a vapor pressure chamber should play a nasty role is "Desecration - The pheasant slayer" even to locate a quality level lower, but not only the creative route has long been considered given to recognize impasse, and the divergent duo to Carl Morck (Nikolaj Lie Kaas) and Assad (Fares Fares) trampling around in circles.
What is probably in your pocket? Carl Morck is further characterized solely on his self-destructive behavior, what Nikolaj Lie Kaas prompted to constantly raise the brow and bedröppelt to peep out of the wash. Assad served anyway second fiddle, may here and there make themselves heard, great monday keep Carl Morck also times before, completely out of joint, otherwise the Syrians usually stands in the background and pulls the smoke of his daring Glimmstängels a. That Carl and Assad have already been established in "mercy", it should be clear why it would be for "desecration - The pheasant slayer" was the only viable step to have new facets them a bit more depth by developing admit - But Not a chance. Apart from pale investigator team are also the antagonist of the story (eg played by Pilou Asbaek and David Bencik) holzschnitzartige decals that would drown with safety and kittens in the rain barrel, such meanies are! The novel itself was adjusted as socially great monday critical parable in which the perpetrator could muster a representative profile, has been illustrated in the example of her as offenses and crimes are obscured by prosperity.
In the cinematic translation of this shocking aspect great monday little to nothing great monday left. "Desecration - The pheasant slayer" even going so far as to trivialize portraying a social divide mercilessly great monday in which he cares less about coherence, as the gloom of his photographs. Since "Seven" and the "Millennium" trilogy but this has swelling of the images on nihilism harsh wear and tear - Man has seen enough simply. That in this Nordic